Vita Sackville-West was infatuated with her. Virginia Woolf hated her. Sir John Reith resented her but couldn’t do without her skills: she transformed the BBC into a broadcaster for the people. Lady Astor was her close friend, making a way for her into the heart of Britain’s political, cultural and intellectual aristocracy. Hilda Matheson was one of the most important women behind the scenes in Britain’s public life between the wars and an influential networker between feminist, media and political powers. She packed more into her short life than most people would even think possible. Every challenge was accepted, and she lived her life to the full. Hilda worked for MI6 in the First World War, then became Lady Astor’s political secretary, the first woman MP to take her seat in the House of Commons. Poached by Sir John Reith, Hilda moved to the BBC to become the first Talks Director for the fledgling BBC, but Reith turned against her liberalising energies, and Hilda resigned rather than compromise her principles. Selected to lead a monumental survey of African economics and natural resources Hilda laid the groundwork for the move away from British colonialism. At the beginning of the Second World War she was put in charge of a new propaganda unit to tell Britain’s story to its allies and enemies alike through recordings, images and books. Having suffered all her life from Graves’ disease, which afflicted her with the phenomenal energy levels she needed to tackle the huge tasks in her career, Hilda died during a routine operation in 1940, aged 52. The life of Hilda Matheson is told by her first biographer Michael Carney and by BBC producer Kate Murphy. This passionate, loving woman has finally been the given the memorial her energies and achievements deserve. Her letters to Vita Sackville-West and the Astor papers form the heart of her story, revealing her candid and devoted nature.

When was the last time you listened to someone, or someone really listened to you? This life-changing book will transform your conversations forever

When was the last time you listened to someone, or someone really listened to you? This life-changing book will transform your conversations foreverAs a society, we've forgotten how to listen. Modern life is noisy and frenetic, and technology provides constant distraction. So we tune things out or listen selectively - even to those we love most. We've become scared of other people's points of view, and of silence.Now more than ever, we need to listen to those around us. New York Times contributor Kate Murphy draws on countless conversations she has had with everyone from priests to CIA interrogators, focus group moderators to bartenders, her great-great aunt to her friend's toddler, to show how only by listening well can we truly connect with others.Listening is about curiosity and patience - about asking the right questions in the right way. Improvisational comedians and con men are much better at it than most of us. And the cleverest people can be the worst at it. Listening has the potential to transform our relationships and our working lives, improve our self-knowledge, and increase our creativity and happiness. While it may take some effort, it's a skill that can be learnt and perfected. When all we crave is to understand and be understood, You're Not Listening shows us how.

Behind the Wireless tells the story of women at the BBC in the 1920s and 30s. Broadcasting was brand new in Britain and the BBC developed without many of the overt discriminatory practices commonplace at the time. Women were employed at all levels, except the very top, for instance as secretaries, documentary makers, advertising representatives, and librarians. Three women held Director level posts, Hilda Matheson (Director of Talks), Mary Somerville (Director of School Broadcasting), and Isa Benzie (Foreign Director). Women also produced the programmes aimed at female listeners and brought women broadcasters to the microphone. There was an ethos of equality and the chance to rise through the ranks from accounts clerk to accompanist. But lurking behind the facade of modernity were hidden inequalities in recruitment, pay, and promotion and in 1932 a marriage bar was introduced. Kate Murphy examines how and why the interwar BBC created new opportunities for women.

Fears and Fantasies: Modernity, Gender, and the Rural-Urban Divide explores the ways in which fantasies about returning to, or revitalising, rural life helped to define Western modernity in the early twentieth century. Scholarship addressing responses to modernity has focused on urban space and fears about the effects of city life; few studies have considered the 'rural' to be as critical as the 'urban' in understanding modernity. This book argues that the rural is just as significant a reference point as the urban in discourses about modernity. Using a rich Australian case study to illuminate broader international themes, it focuses on the role of gender in ideas about the rural-urban divide, showing how the country was held up against the 'unnatural' city as a space in which men were more 'masculine' and women more 'feminine'. Fears and Fantasies is an innovative and important contribution to scholarship in the fields of history and gender studies.